Shylock agrees to lend Antonio money, but when Antonio falls into bad fortune, a dramatic trial ensues to decide his fate.
2:29
Audiobook
| Track # | Title | Artist | Length |
|---|---|---|---|
| 1 | Act 1 Scene 1: In sooth, I know not why I am so sad: | Anthony Sher, Roger Allam, Emma Fielding | 9:55 |
| 2 | Act 1 Scene 2: By my troth, Nerissa, my little body is aweary... | Anthony Sher, Roger Allam, Emma Fielding | 7:20 |
| 3 | Act 1 Scene 3: Three thousand ducats; well. | Anthony Sher, Roger Allam, Emma Fielding | 6:08 |
| 4 | Signior Antonio, many a time and oft... | Anthony Sher, Roger Allam, Emma Fielding | 4:06 |
| 5 | Act 2 Scene 1: Mislike me not for my complexion... | Anthony Sher, Roger Allam, Emma Fielding | 2:26 |
| 6 | Act 2 Scene 2: Certainly my conscience... | Anthony Sher, Roger Allam, Emma Fielding | 4:21 |
| 7 | Nay, indeed, if you had your eyes, you might fail of... | Anthony Sher, Roger Allam, Emma Fielding | 4:19 |
| 8 | Father, in. I cannot get a service, no; | Anthony Sher, Roger Allam, Emma Fielding | 2:49 |
| 9 | Act 2 Scene 3: Launcelot I am sorry thou wilt leave my father so: | Anthony Sher, Roger Allam, Emma Fielding | 1:15 |
| 10 | Act 2 Scene 4: Nay, we will slink away in supper-time, | Anthony Sher, Roger Allam, Emma Fielding | 1:50 |
| 11 | Act 2 Scene 5: Well Launcelot, thou shalt see, | Anthony Sher, Roger Allam, Emma Fielding | 3:16 |
| 12 | Act 2 Scene 6: This is the pent-house under which Lorenzo... | Anthony Sher, Roger Allam, Emma Fielding | 1:32 |
| 13 | Here, catch this casket; it is worth the pains. | Anthony Sher, Roger Allam, Emma Fielding | 1:49 |
| 14 | Act 2 Scene 7: Go draw aside the curtains and discover... | Anthony Sher, Roger Allam, Emma Fielding | 5:04 |
| 15 | O hell! what have we here? | Anthony Sher, Roger Allam, Emma Fielding | 1:23 |
| 16 | Act 2 Scene 8: Why, man, I saw Bassanio under sail: | Anthony Sher, Roger Allam, Emma Fielding | 2:27 |
| 17 | Act 2 Scene 9: Quick, quick, I pray thee; draw the curtain straight: | Anthony Sher, Roger Allam, Emma Fielding | 6:48 |
| 18 | Act 3 Scene 1: Now, what news on the Rialto Salerino? | Anthony Sher, Roger Allam, Emma Fielding | 2:13 |
| 19 | To bait fish withal: | Anthony Sher, Roger Allam, Emma Fielding | 5:17 |
| 20 | Act 3 Scene 2: I pray you, tarry: pause a day or two... | Anthony Sher, Roger Allam, Emma Fielding | 4:39 |
| 21 | Tell me where is fancy bred... | Anthony Sher, Roger Allam, Emma Fielding | 6:52 |
| 22 | You see me, Lord Bassanio, where I stand... | Anthony Sher, Roger Allam, Emma Fielding | 9:56 |
| 23 | Act 3 Scene 3: Gaoler, look to him: tell not of Mercy... | Anthony Sher, Roger Allam, Emma Fielding | 2:05 |
| 24 | Act 3 Scene 4: Portia, although I speak it in your presence... | Anthony Sher, Roger Allam, Emma Fielding | 3:56 |
| 25 | Act 3 Scene 5: Yes, truly; for, look you the sins of the father... | Anthony Sher, Roger Allam, Emma Fielding | 4:28 |
| 26 | Act 4 Scene 1: What, is Antonio here? | Anthony Sher, Roger Allam, Emma Fielding | 4:42 |
| 27 | What judgment shall I dread, doing. | Anthony Sher, Roger Allam, Emma Fielding | 4:58 |
| 28 | The quality of mercy is not strain’d. | Anthony Sher, Roger Allam, Emma Fielding | 6:44 |
| 29 | We trifle time: I pray thee, pursue sentence... | Anthony Sher, Roger Allam, Emma Fielding | 4:34 |
| 30 | What mercy can you render him, Antonio? | Anthony Sher, Roger Allam, Emma Fielding | 4:36 |
| 31 | Act 4 Scene 2: Inquire the Jew’s house out, Nerissa... | Anthony Sher, Roger Allam, Emma Fielding | 1:02 |
| 32 | Act 5 Scene 1: The moon shines bright: in such a night as this, | Anthony Sher, Roger Allam, Emma Fielding | 6:09 |
| 33 | That is the voice, or I am much deceived, of Portia... | Anthony Sher, Roger Allam, Emma Fielding | 5:30 |
| 34 | Let not that doctor e’er come near my house... | Anthony Sher, Roger Allam, Emma Fielding | 4:59 |
